王维“辋川图”历代摹本(九) 美国大都会艺术博物馆 仿郭忠恕《辋川图》

这是美国大都会艺术博物馆所藏的另外一幅《辋川图》。


图片宋郭洛陽輞川圖

大都会艺术博物馆官网介绍原文:

Wangchuan Villa

Unidentified artist
In the Style of Guo Zhongshu

The eighth-century poet and painter Wang Wei was so taken with the beauty of his country estate that he decided to celebrate it with a cycle of twenty poems extolling various sites on the property and a painted handscroll that depicted the grounds. The poems have been part of the core curriculum for students of Chinese literature for a millennium, and although the original painting was lost long ago, its composition has survived in the form of rubbings and painted copies. This example merges the naive architectural forms of the original composition with the elegant painterly sensibility of the sixteenth-century followers of Wen Zhengming (1470–1559).

图片

根据官网介绍,这幅作品应该是明代所仿

Title: Wangchuan Villa
Artist: Unidentified artist , 16th century
Artist: In the Style of Guo Zhongshu (Chinese, died 977)
Period: Ming dynasty (1368–1644)
Date: 16th–17th century
Culture: China
Medium: Handscroll; ink and color on silk
Dimensions: 12 1/2 in. × 16 ft. 1 in. (31.8 × 490.2 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.220.5

图片河北郭忠恕摹唐王右丞本

图片

图片輞川詩

新家孟城口,古木餘衰柳。來者復為誰,空悲昔人有。孟城坳
飛鳥去不窮,連山復秋色。上下華子岡,惆悵情何極。華子岡
文杏裁為梁,香茅結為宇。不知棟裏雲,去作人間雨。文杏舘
檀欒映空曲,青翠漾漣漪。暗入商山路,樵人不可知。斤竹嶺
空山不見人,但聞人語響。返景入深林,復照青苔上。鹿柴
木蘭柴。秋山斂餘照,飛鳥逐前侣。彩翠時分明,夕嵐無處所。
結實紅且綠,復如花更開。山中倘留客,置此芙蓉杯。茱萸沜
仄徑蔭宫槐,幽陰多綠苔。應門但迎掃,畏有山僧來。宮槐陌
輕舸迎上客,悠悠湖上來。當軒對尊酒,四面芙蓉開。臨湖亭
輕舟南垞去,北垞淼難即。隔浦望人家,遥遥不相識。南垞
吹簫凌極浦,日暮送夫君。湖上一回首,青山卷白雲。欹湖
分行接綺樹,倒影入清漪。不學御溝上,春風傷别離。柳浪
日飲金屑泉,少當千餘嵗。翠鳳翊文螭,羽節朝玉帝。金屑泉
清淺白石灘,綠蒲向堪把。家住水東西,浣紗明月下。白石灘
北垞湖水北,雜樹映朱闌。逶迤南川水,明滅青林端。北垞
獨坐幽篁里,彈琴復長嘯。深林人不知,明月來相照。竹里舘
木末芙蓉花,山中發紅萼。澗户寂無人,紛紛開且落。辛夷塢
古人非傲吏,自闕經世務。偶寄一微官,婆娑數株樹。漆園
桂尊迎帝子,杜若贈佳人。椒漿奠瑶席,欲下雲中君。椒園趙雍仲穆書。

[印] :仲穆

图片

《輞川圖》有二本,此從矮木所臨,尤有筆意,展觀良久,為賦短句。詩中傳畫意,畫裏見詩餘。山色無還有,雲光卷復舒。前溪漁父隱,舊宅梵王居。千古風流在,披圖儼起余。汝南袁楠書。[印]:袁楠

图片图片

图片来自美国大都会艺术博物馆公布的局部图拼接而成:

图片